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This way it will open as a separate file. Name it Displacement Map. Then accept the settings, and this greyscale image that comes from the channel you chose will open in a new tab. This is an optional step. If this is the case then you can add the extra contrast now. The amount of contrast is also a personal choice depending on your taste and the desired effect. Now you need to blur your displacement map just a little. Open the Filters menu and choose Blur , Gaussian Blur. This will open a dialogue box where you can set the amount of blur you want.
Remember that the desired result is a realistic integration of the elements. This is again a matter of choice depending on the look you want to achieve, as well as the size and resolution of your photo.
There is a preview window for you to check how the gaussian blur is affecting the photo. If you named it during Step 3 then just save as it is.
You can call it what you like actually, but I recommend this name because this way it will be easy to find in the next part of the process. You can now close the displacement map and go back to your original photo. Here you can add whatever it is you want to integrate into your composite: some text, a logo, or a second image.
When you create texts and vector graphics, Photoshop places them as a new layer. To find it just open the Layers panel. Here you can go to the menu and choose Convert to Smart Object. If, instead, you decided to add a second image or to import the graphics, use the Place Embedded option from the File menu.
This way it will be pasted directly as a smart object. Now you can go to the menu Filters , Distort , Displace. From the dialogue box that this opens, choose the adequate values. As a default, these will be set to I always start with that, and most of the time this is good.
When you choose the values, it will open up a browser window. See image below. A small dialog box appears. The amount of distortion that you apply will depend on the values that you enter in the Horizontal and Vertical scale boxes. It defaults to 10 in each box. These values represent percentages. The higher the values the greater the distortion.
Experiment to see the desired effect that you want. When you convert your layers to Smart Objects , any adjustments that you make can be done easily and non-destructively. For this image, I chose 55 in the Horizontal scale and 80 for the Vertical one.
I wanted more distortion on the road marking so that it would match the worn look of the road. At this point your image may look a bit odd, follow the next step to make it look more blended and realistic. Close-up of the road marking after the displacement map and final tweaks have been applied.
I added Gaussian Blur of 4px to get rid of the ever so slightly pixelated edge on the shape. Double-click anywhere to the right of the layer to bring up the Layer Style box. The black slider is split on the Underlying Layer in the Blending Options dialog box. The displacement map I made for this image worked really well in distorting the text to wrap around the ripples of the water.
I followed the same steps to generate the displacement as above but I applied a Gaussian Blur of 5. The values I added in the Displace dialog box for the Horizontal and Vertical scales were 80 respectively.
For the final tweaks, I added Gaussian Blur of The word Displace distorted using a displacement map. Using black horizontal lines and a displacement map to simulate light shining through window blinds.
For this image I had to do more work in Photoshop to get the final look. The process to generate a displacement map is the same here as in the other examples.
Just bear in mind that the blue channel is not the best choice for subjects as the skin tones look awful. I isolated the model from this image and put it on a separate layer with a layer mask. I added a Black and White adjustment layer, then created thick black horizontal lines using the Rectangular Marquee Tool to resemble window slats on a separate layer.
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